Dan Olinger

"If the Bible is true, then none of our fears are legitimate, none of our frustrations are permanent, and none of our opposition is significant."

Dan Olinger

Chair, Division of Biblical Studies & Theology,

Bob Jones University

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On Frustration, Part 2

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Part 1

In my previous post I noted that the Bible says, to the surprise of many, that life is frustrating—and it means it.

And that raises a question: why is it frustrating? And what’s the answer—how do we handle the frustration?

As I noted last time, a good many Christians are surprised that Ecclesiastes means what it says—that all is vanity (emptiness) and vexation of spirit, or chasing the wind (frustrating).

But if you’ll think about it, my surprised Christian friend, you’ll realize that there was no reason to be surprised at all.

The Bible tells a story—one story, a true story, that explains everything we know and a lot of things we don’t.

It begins with God, all-powerful, all-wise, relational (“let us …”) and loving, creating a perfect universe, with little to no apparent effort but with great care and attention to detail, and placing in that world two humans, who we are told are in his image. And he offers them a relationship with himself.

But they reject that priceless offer and go their own way, bringing ruin not only to their souls but to their bodies, and indeed to all the created order.

So here we are, in the image of God, and in a world that we broke. What would someone in the image of God think about that?

The first thing we’re told about God is that he is a creator. He can envision things that don’t yet exist, and he can bring them into being. And we find that we can do the same thing—oh, not ex nihilo, of course, but artists envision products and bring them into existence all the time. And all of us—even the non-artists—can envision the way things ought to be, and we can recognize all the ways they’re broken. Nothing works as it should. Not relationships, families, communities, nations. Not even the DMV.

Now what do you think would be the expected response of someone in the image of God to all that brokenness?

So why are we surprised that life is frustrating—or that the Scripture, revealed to us by the God of truth, would come right out and say so?

Of course it’s frustrating.

But the Scripture doesn’t end with Genesis 3. The story of Scripture is the story of God graciously, patiently, and sovereignly fixing what we broke, including us ourselves. He’s taking a long time to do that—not because he needs a lot of time to fix the colossal mess we’ve created (he made the whole universe in six days, you know), but because sovereign people never have to be in hurry. If you see someone who’s in a hurry, you’re seeing someone whose life is out of control at that moment. God never experiences that. So he’s not in a hurry.

And in time, his time, his good and perfect time, he will make all things new, and that new heaven and earth will last forever, infinitely longer than this little bubble we call our earthly lives.

Let me illustrate.

Suppose someone with more money than brains decides that the school where I teach really needs a fleet of Ferraris for its Public Safety Department. So he buys us half a dozen.

Do you know what the speed limit is on our campus?

20 mph.

In front of the Child Development Center, 10 mph.

Now, how do you suppose the Ferraris feel about the prospect of going 20 mph for the next hundred thousand miles?

Ferraris weren’t made to go 20 mph. They were made to go 220 mph. They’re going to be really frustrated at good old BJU.

And here’s the point.

You’re a Ferrari. Not because you’re all that—this isn’t at all about your self-esteem—but because you’re in the image of God, who is all that.

Right now you’re in a 20-mph world. And it’s frustrating. It’s supposed to be.

You’re not made for this world. You’re made for the next.

And one day, in time, his time, his good and perfect time, your Creator is going to take you out onto a highway that was made for speed, and he’s going to give you the throttle and “see what this baby can do.”

And in that day you’ll go really, really fast, and you’ll bring a delighted smile to his face.

So how do you handle frustration?

You take it as a gift from a gracious God, a reminder that you are made not for this world, but for an unbroken one—one that will last for all time and beyond.

That’s going to be just awesome.

Photo by mwangi gatheca on Unsplash

Hard Evidence for a Supernatural Book, Part 3: Too Many Cooks

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Photo by Aaron Burden on Unsplash

Part 1     Part 2

And so we come to the evidence: objective evidence that the Bible is, um, unnatural, extraordinary, not like any other books. I’d suggest two lines of such evidence; we’ll look at the first one today, and a related topic later in the week. Next week, we’ll get to Door Number 2.

Door Number 1. Writing a book is hard. Just getting the facts right is hard enough (more about that next time); but doing it artfully, in a way that pleases the attentive reader, is really, really hard. Literary critics delight themselves in finding such artful devices in serious literature—for example, in noting how Willa Cather uses the imagery of wilting flowers to foreshadow the crumbling of the protagonist in the short story “Paul’s Case,” or how Dickens contrasts polar extremes in A Tale of Two Cities, or how an episode of Seinfeld weaves together a seemingly impossible number of storylines so they all come to resolution at the last moment: in one episode George, pretending to be a marine biologist to impress his girlfriend, pulls Kramer’s golf ball from the blowhole of a beached whale. (OK, that last one was ridiculous, and involves stretching the definition of literature almost to the breaking point. But give me some slack; I’m making a point here.)

The Bible does that: it tells a story—or rather, narrates and evaluates a history—in an artful way, bringing it to a resolution that leaves us amazed and deeply satisfied. (How is that evidence of the supernatural? If Dickens can do it, why do we have to bring God into the picture? Fair question. I’ll get to that in a minute.)

The Torah

The Bible consists of two parts: the Old and New Testaments. The Old Testament began its life as the Hebrew Scriptures. The Jews call it the “Tanakh,” which is not really a Hebrew word; it’s an acronym, like NASA or YOLO. The “T” stands for Torah, or “teaching,” which is the first 5 books of the OT. In the Torah we read about the origin of the earth, then that of the nation of Israel, then of the covenant that God made with Israel at Sinai, including its stipulations. There’s a lot of talk (especially in Leviticus) of the priesthood, its clothing, its sacrifices, its calendar. Details.

The priests had to do everything a certain way. The amount of detail is overwhelming. Each sacrifice had its own purpose, timing, and procedure. And to the reader’s surprise—it doesn’t work. Oh, God forgives the sins of the sacrificer, and of the nation, but the sacrifices don’t really work. Every morning there’s a sacrifice, and by mid-afternoon the priests have to do it again. The next morning, the cycle starts anew. Every year there’s a Passover, and the next year they have to do another one. The sacrifices don’t last, and that means they don’t really work.

We finish the Torah with a nagging sense of disappointment. We want a priest who can make a sacrifice that works—one sacrifice that gets the job done. We want a priest who knows how to priest.

The Prophets

The “N” in Tanakh stands for nebi’im, or “prophets.” In the prophets we meet men who bring messages from God. But frankly, they’re disappointing too. Many of the messages are obscure. Nathan the prophet tells David that God will build him a house through his son, whom he names as Solomon (2Sam 7). But then he says the son will reign forever. How’s that going to work? And some of the messages are downright bizarre—what’s with Ezekiel’s vision of the wheel in wheel in a wheel (Ezk 1)?

Why are the prophecies so—hard?! Why can’t a prophet tell us—better yet, show us—clearly what God is like, what he wants, how we can know him? We want a prophet who knows how to prophet.

The Writings

The “Kh” in Tanakh stands for khethubim, or “writings.” In the writings we meet the kings—their story in Chronicles, their writing in Psalms, Proverbs, Ecclesiastes, and Song of Solomon. We want them to succeed. Saul the Tall is (not surprisingly ????) a failure, and God himself selects David, a man after his own heart, and we think he’ll succeed. But he fails suddenly and spectacularly, and his family disintegrates. His son Solomon begins well; God gives him practically infinite wisdom. But by the end he’s worshiping idols. Solomon’s son splits the kingdom, and after that the kings in David’s line are successful only rarely and incompletely.

We finish the Writings, and the Tanakh, disappointed in the kings, wishing for a king who knows how to king. It’s all disappointing, all unfulfilled potential, all promise and no really satisfying fulfillment.

And then we turn the page.

The New Testament

We meet “Jesus Christ, the son of David, the Son of Abraham” (Mat 1.1)—perfect prophet, priest, king, who reveals God to us perfectly (Jn 1.1-18), who offers—himself!—as the perfect and final offering (Heb 10.1-13), who reigns now and forever in perfect righteousness and justice (Lk 1.33; Rev 11:15). The Gospels tell us what he said and did; Acts tells us about his successors; the epistles tell us what it all means; and Revelation tells us how it all ends.

A perfect story. Plot, character, storyline. Rising action, climax, denouement. Coherence, bookended by a perfect world destroyed (Gen 1-11) and a better world restored (Rev 21-22).

So how does that evidence a divine source? If Homer and Shakespeare and Dickens and Faulkner could do it, why couldn’t an ancient writer?

Here’s the thing. There was no “ancient writer.” There were about 40 of them, living across about 1500 years. (Yes, critical scholars would say more like 1000 years, but even if they’re right—and they’re not—the point still stands.) None of the writers ever met most of the other writers.

So how did they do it? How did they write a coherent, cohesive, artful narrative? It wasn’t some talented editor who came along at the end and pieced it all together from earlier sources; the OT was in place and ordered before any of the NT was written. The OT writers couldn’t possibly have known the end, and the NT writers couldn’t possibly have influenced or edited the OT writers.

Only an editor could do that. An editor who oversaw the entire process, beginning to end.

An Editor.

PS To be fair, if a book contradicts itself, it’s not really coherent. There are lots of accusations of contradiction in the Bible. In the next post, we’ll talk about that.

Part 4     Part 5     Part 6     Part 7      Part 8